Titlebook: Relating Carol Shields’s Essays and Fiction; Crossing Borders Nora Foster Stovel Book 2023 The Editor(s) (if applicable) and The Author(s),

Flatter

Shields’s Theory of Fiction Writing and the Limitations of Remembrance in nal elegiac writing to define the fraught nature of how women deal with death in the mid-to-late twentieth century. She thus engages the fundamental nature of what it is that happens when grief is encountered, when the dead are remembered, and what the role of language is in these considerations.

招募

Afterword: “Little Shocks of Recognition”: Carol Shields’s Book Reviewsn women writers: Annie Dillard’s . (1987), Erica Jong’s . (1994), and Ruby Side Thompson’s diaries, edited and published as . (1995). Ramon illustrates how Shields’s contrasting responses to these texts illuminate the concerns with the genre of life-writing and the trope of “ordinariness” that permeate her own fiction.

entice

nugatory

http://image.papertrans.cn/r/image/826076.jpg

泥土謙卑

縱欲

Epilogue: Etching on Glass: Carol Shields’s Re-visioncher in terms of the metaphor of “etching.” Through an exploratory close reading and ficto-critical response to Anne and Nicolas Giardini’s 2016 edition of Shields’ comments on writing gathered in . the paper explores how to implement the wisdom and experience of this dexterous writer.

下級

guzzle

978-3-031-11482-3The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

interlude

FLAG

“Space for Strangeness”: Carol Shields’s Short Stories mythic patterns into a network of contemporary human relationships. In “Home” she uses the Ulysses myth and Langland’s . as her intertexts, while “Hinterland” figures the Christian mythology around the Virgin Mary—one featuring the “miracle” of a translucent aeroplane and the other a little golden