Titlebook: Relating Carol Shields’s Essays and Fiction; Crossing Borders Nora Foster Stovel Book 2023 The Editor(s) (if applicable) and The Author(s),

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Advice to Writers in Carol Shields’s s’s most sustained discussions of writing is in her final novel, . (2002). . incorporates evocative descriptions of the techniques and importance of writing, including narrator Reta Winters’s opening disquisition on “a novel’s architecture” (13) and her conclusion that “[t]his matters, the remaking

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In/visibility, Race-Baiting, and the Author Function in Carol Shields’s eads . as a text that constructs the Muslim woman as an authorial ruse in order to both raise and problematize matters of “race.” Keeping in mind Shields’s views about writing and distinguishing between the novel’s historical author and the author as inscribed in the text, Kamboureli focuses not onl

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Epilogue: Etching on Glass: Carol Shields’s Re-visioncher in terms of the metaphor of “etching.” Through an exploratory close reading and ficto-critical response to Anne and Nicolas Giardini’s 2016 edition of Shields’ comments on writing gathered in . the paper explores how to implement the wisdom and experience of this dexterous writer.

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Book 2023 reflect and refract the brilliance of her fiction. These essays read Shields’s fiction through the lens of her essays, including those contained in the recent Giardini edition, wherein the author explains the creative methodologies involved in her fiction and also offers specific advice to writers of fiction..

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Prologue: (Es)Saying It Her Way: Carol Shields as Essayist,raw as comfortably and usefully on fiction as on fact, making her essays as compelling and satisfying as her fiction. While lesser known than her fiction, Shields’s accomplishments as an essayist were considerable and offer insights into her objectives as a writer and how she accomplished them.

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“Controlled Chaos” and Carol Shields’s “A View from the Edge of the Edge”on engages with certain features of chaotics and illuminates the way they inform her textual process. The rhetorical devices Shields artfully deploys are shown to range from chaotic enumeration and vertical pile-ups of repetition and variation to embedded perspectives and even the disruptive parenthesis and the odd man out.

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