Titlebook: Memory in Historical Perspective; The Literature Befor Douglas J. Herrmann,Roger Chaffin Book 1988 Springer-Verlag New York Inc. 1988 Arist

Canary

Quintillianh Cicero’s works and with ., Quintillian taught memory techniques to his students; however, he frowned upon the “artificial” techniques as inefficient and distracting. Quintillian’s focus is pragmatic. He had little patience with pedantic details and strong views about matters of practical importance.

口訣

Plotinushilosophy and wrote about his philosophical system in the Enneads. Plotinus regarded himself as a follower of Plato, but the influences of several other scholars, including Aristotle, are apparent in his work.

馬具

Note to the Readery writers we have tried to include almost everything that they wrote on the subject of memory. Seven writers are included to represent the period from the Renaissance to 1885. No works on the visual arts as an aid to memory were included since Yates (1966) has already thoroughly reviewed this topic.

Trypsin

HUSH

MOCK

Leonardo Da Vincis, combined with a reliance on observation rather than the authority of books, allowed him to formulate many principles of statics and dynamics. His Treatise on painting presents painting as the first among the arts in which the world is presented to the senses in a form that reveals its mathematical nature and thus its beauty.

granite

Vulnerary

Montaignetion influenced both Descartes and Bacon who attempted to answer the sceptical arguments that Montaigne raised. Montaigne held that we acquire truth only by the grace of God. Reason cannot lead us to faith, but faith, tempered by tolerance, is a rational choice.