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Titlebook: Digital Connectivity and Music Culture; Artists and Accompli Mary Beth Ray Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 M

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樓主: Opulent
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發(fā)表于 2025-3-25 05:22:42 | 只看該作者
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發(fā)表于 2025-3-25 13:06:18 | 只看該作者
Introduction,ial media, digital innovation, and adoption relating to smartphone market penetration, as they are key technologies in music culture and consumption. Finally, this chapter provides an overview of the entire text.
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發(fā)表于 2025-3-25 16:13:42 | 只看該作者
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發(fā)表于 2025-3-25 22:07:28 | 只看該作者
Music Culture and Digital Technology,s’ sustainability. Additionally, online activities focused on digital and social elements, as well as in-person activities, focused on live music and social gatherings, are examined to illuminate contemporary audience consumptive practices.
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發(fā)表于 2025-3-26 01:36:30 | 只看該作者
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發(fā)表于 2025-3-26 04:23:41 | 只看該作者
plores the creation and maintenance of mutually beneficial, .This book?explores how the rise of widely available digital technology impacts the way music is produced, distributed, promoted, and consumed, with a specific focus on the changing relationship between artists and audiences. Through in-dep
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發(fā)表于 2025-3-26 11:15:48 | 只看該作者
logy—and technology through music—while negotiating personal and social aspects of their musical lives. In light of consistent, active engagement, rising co-production, and collaborative community experience, this book argues we might do better to think of the audience as .accomplices. to the artist..978-3-319-88577-3978-3-319-68291-4
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發(fā)表于 2025-3-26 16:16:02 | 只看該作者
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