Titlebook: Digital Connectivity and Music Culture; Artists and Accompli Mary Beth Ray Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 M

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https://doi.org/10.1007/978-3-531-90213-5ce, characterizes the enabling and constraining nature of digital technology, and offers recommendations for sustainable cultural industry. At its crux, this chapter argues we might better characterize the audience as . to the artist. This revision informs future digital engagement, interrogates the

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Mary Beth RayDemonstrates why there is cause for both concern and celebration at the contemporary transitional, transformative moment in music culture.Explores the creation and maintenance of mutually beneficial,

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Book 2017 and social aspects of their musical lives. In light of consistent, active engagement, rising co-production, and collaborative community experience, this book argues we might do better to think of the audience as .accomplices. to the artist..

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Religion, a Bridge or Barrier in Society?her enduring cultural contribution. This chapter articulates artist strategies most likely to resonate with music audiences and grounds the audience data in relationship to successful artist practice.

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Hege Kristin Ringnes,Sarah Demmrichial media, digital innovation, and adoption relating to smartphone market penetration, as they are key technologies in music culture and consumption. Finally, this chapter provides an overview of the entire text.

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https://doi.org/10.1007/978-3-658-31035-6pe, their stories highlight key themes such as online activity and interactive engagement, social and personal everyday listening, meaning-making through medium, and discovery and acquisition of digital music content.