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Titlebook: Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs; Beyond Red, Green an Xiaoyan Zhang,Martin Const

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樓主: gloomy
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發(fā)表于 2025-3-28 15:10:54 | 只看該作者
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發(fā)表于 2025-3-28 22:13:32 | 只看該作者
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發(fā)表于 2025-3-28 23:24:35 | 只看該作者
Book 2018gths and limitations of both. Particular aesthetic practices are examined such as the vista, foreground to background organisation and the depth planes. These are analysed using a range of computational approaches and clear observations are made. New generations of image-capture devices such as Goog
44#
發(fā)表于 2025-3-29 04:23:23 | 只看該作者
hares many tips and insights into next-generation image imprThis book examines paintings using a computational and quantitative approach. Specifically, it compares paintings to photographs, addressing the strengths and limitations of both. Particular aesthetic practices are examined such as the vist
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發(fā)表于 2025-3-29 10:59:35 | 只看該作者
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發(fā)表于 2025-3-29 13:47:30 | 只看該作者
Computational Models of Colour Contrastll existing models would probably be better regarded as application tools rather than as descriptions of basic visual function. Colour contrast is broadly understood as being one of two things: a relationship between two things (i.e. simple contrast) or the variance of a property within a single thing (i.e. complex contrast).
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發(fā)表于 2025-3-29 16:42:41 | 只看該作者
Introduction to Life Predictions, this impact is achieved largely through accentuating the illusion of depth that they convey. For portraits, the face and the figure are of prime importance. This chapter introduces the histories of these genres and examines them for their functional differences.
48#
發(fā)表于 2025-3-29 22:35:46 | 只看該作者
https://doi.org/10.1007/978-1-349-81634-7re artists or an artist at different times in their career. We describe two case studies of such an analysis, and the results agree with observations. We also include a user study that supports the validity of our proposed approach.
49#
發(fā)表于 2025-3-30 01:33:17 | 只看該作者
The Portrait and Landscape Genress, this impact is achieved largely through accentuating the illusion of depth that they convey. For portraits, the face and the figure are of prime importance. This chapter introduces the histories of these genres and examines them for their functional differences.
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