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Titlebook: Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs; Beyond Red, Green an Xiaoyan Zhang,Martin Const

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樓主: gloomy
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發(fā)表于 2025-3-26 22:46:44 | 只看該作者
32#
發(fā)表于 2025-3-27 03:24:54 | 只看該作者
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發(fā)表于 2025-3-27 07:37:04 | 只看該作者
Interactive Local Hue Contrast Manipulationtrast adjustment. Such an adjustment would work upon the maximum, minimum and mean values of the lightness and/or saturation. The third value in the colour triumvirate is hue, but existing image improvement approaches rarely manipulate this value for the reason of its importance to the semantic read
34#
發(fā)表于 2025-3-27 11:03:07 | 只看該作者
Global Colour Style Transfer a painting to a photograph. The principle behind our method is to transfer the inherent structures of the contrast properties. This differentiates our method from a simple colour transfer, using which the hues of an image may be shifted, and in doing so damages the semantic properties of the photograph.
35#
發(fā)表于 2025-3-27 16:01:45 | 只看該作者
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發(fā)表于 2025-3-27 19:01:35 | 只看該作者
Introduction to the Properties of Materials a painting to a photograph. The principle behind our method is to transfer the inherent structures of the contrast properties. This differentiates our method from a simple colour transfer, using which the hues of an image may be shifted, and in doing so damages the semantic properties of the photograph.
37#
發(fā)表于 2025-3-28 01:03:37 | 只看該作者
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發(fā)表于 2025-3-28 05:48:07 | 只看該作者
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發(fā)表于 2025-3-28 09:51:34 | 只看該作者
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發(fā)表于 2025-3-28 13:18:37 | 只看該作者
The Geometric Attributes of Paintingse principles. A photographer’s vignette is simple: a darkening of the edges and corners, and perhaps also a lightening of the centre. In contrast, a painter’s vignette is complex and involves interplay between the 2D and 3D geometries of the painting.
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