找回密碼
 To register

QQ登錄

只需一步,快速開始

掃一掃,訪問微社區(qū)

打印 上一主題 下一主題

Titlebook: Communication Theory for Humans; Communicators in a M Neil O‘Boyle Textbook 2022 The Editor(s) (if applicable) and The Author(s), under exc

[復(fù)制鏈接]
樓主: 恰當
31#
發(fā)表于 2025-3-26 23:41:18 | 只看該作者
32#
發(fā)表于 2025-3-27 01:56:02 | 只看該作者
Software Engineering and Formal Methodscludes by reiterating the book’s central argument that human interaction is the lifeblood of our world and that theories of communication, whatever their focus, must always return to the meaningful activities of embodied and situated human communicators.
33#
發(fā)表于 2025-3-27 08:47:13 | 只看該作者
34#
發(fā)表于 2025-3-27 10:37:51 | 只看該作者
Narrators: A Narrative Approach to Human Communication, have been taken up by scholars in the field of environmental studies. This chapter concludes by examining the digital production of narratives and emerging forms of interactive and transmedia storytelling.
35#
發(fā)表于 2025-3-27 17:12:45 | 只看該作者
Members: Communication in Human Groups,s, such as religious congregations, political parties, and hate groups. This chapter examines a range of studies that have applied this framework in analysing the shared worldviews (or ‘rhetorical visions’) of particular groups.
36#
發(fā)表于 2025-3-27 19:04:02 | 只看該作者
,Performers: Goffman’s Dramaturgical Perspective, that successful social interaction is a .. This chapter considers a range of studies that have ‘a(chǎn)pplied’ Goffman’s framework in radically different contexts (e.g., strip clubs, swimming pools, Disney theme parks, and Facebook photo galleries).
37#
發(fā)表于 2025-3-27 22:31:41 | 只看該作者
Influencers: Person-to-Person Influence in the Networked Era,ked by the increasing visibility of ‘ordinary’ people. Chapter . concludes by examining recent research on social media influencers and highlights a number of factors that putatively explain why such individuals are ..
38#
發(fā)表于 2025-3-28 02:13:58 | 只看該作者
Produsers: New Media Audiences and the Paradoxes of Participatory Culture,torytellers, citizen journalists, and fan activists. This chapter concludes by suggesting that the produser is a ‘paradoxical figure’ insofar as his or her power to participate is dependent on a capitalist media infrastructure that is often exploitative.
39#
發(fā)表于 2025-3-28 08:30:42 | 只看該作者
 關(guān)于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務(wù)流程 影響因子官網(wǎng) 吾愛論文網(wǎng) 大講堂 北京大學(xué) Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點評 投稿經(jīng)驗總結(jié) SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學(xué) Yale Uni. Stanford Uni.
QQ|Archiver|手機版|小黑屋| 派博傳思國際 ( 京公網(wǎng)安備110108008328) GMT+8, 2025-10-14 04:19
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權(quán)所有 All rights reserved
快速回復(fù) 返回頂部 返回列表
苏州市| 浦北县| 志丹县| 女性| 察哈| 遂平县| 安顺市| 荣昌县| 新疆| 隆化县| 修武县| 济宁市| 浮梁县| 邵武市| 三明市| 乌拉特后旗| 香港 | 上杭县| 福州市| 桓仁| 石城县| 体育| 芦山县| 大名县| 汾西县| 阿拉善右旗| 微山县| 郓城县| 茂名市| 阳高县| 林西县| 中卫市| 镇赉县| 和平区| 华阴市| 东丰县| 鞍山市| 襄垣县| 普陀区| 上饶县| 梅河口市|