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Titlebook: British Working-Class Writing for Children; Scholarship Boys in Haru Takiuchi Book 2017 The Editor(s) (if applicable) and The Author(s) 20

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發(fā)表于 2025-3-21 19:10:52 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱British Working-Class Writing for Children
期刊簡稱Scholarship Boys in
影響因子2023Haru Takiuchi
視頻videohttp://file.papertrans.cn/192/191201/191201.mp4
發(fā)行地址Represents the first full-length study of the working-class in mid-twentieth-century British children’s books.Contributes more broadly to the understanding of British working-class literature in the m
學(xué)科分類Critical Approaches to Children‘s Literature
圖書封面Titlebook: British Working-Class Writing for Children; Scholarship Boys in  Haru Takiuchi Book 2017 The Editor(s) (if applicable) and The Author(s) 20
影響因子This book explores how working-class writers in the 1960s and 1970s significantly reshaped British children’s literature through their representations of working-class life and culture.?Aidan Chambers, Alan Garner and Robert Westall were examples of what Richard Hoggart termed ‘scholarship boys’: working-class individuals who were educated out of their class through grammar school education. This book highlights the role these writers played in changing the publishing and reviewing practices of the British children‘s literature industry while offering new readings of their novels featuring scholarship boys.?As well as drawing on the work of Raymond Williams and Pierre Bourdieu, and referring to studies of scholarship boys in the fields of social science and education, this book also explores personal interviews and previously-unseen archival materials.?Yielding significant insights on British children’s literature of the period, this book will be of particular interest to scholars and students in the fields of children’s and working-class literature and of British popular culture.
Pindex Book 2017
The information of publication is updating

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發(fā)表于 2025-3-21 20:41:03 | 只看該作者
Introduction,cholarship boys’, individuals from the working class who were educated out of their class through grammar school education. These writers have rarely been seriously examined in terms of their representation of the working class, despite the fact that class is often at the centre of their works. The
板凳
發(fā)表于 2025-3-22 01:50:57 | 只看該作者
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發(fā)表于 2025-3-22 04:55:55 | 只看該作者
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發(fā)表于 2025-3-22 10:23:16 | 只看該作者
Education and Uncertainty in Aidan Chamber’s ,wn childhood and adolescent experiences. Chapter 4 highlights scholarship boy experiences through examining Aidan Chambers’ .e (.). Drawing on a combination of archival material, interviews with the author and studies of class and education, Chapter 4 highlights how Chambers used his own experiences
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發(fā)表于 2025-3-22 14:43:09 | 只看該作者
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發(fā)表于 2025-3-22 20:58:36 | 只看該作者
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發(fā)表于 2025-3-22 22:17:06 | 只看該作者
Class and Children’s Book Criticismm, until the late 1960s, indirectly restricted the emergence of working-class children’s books. Therefore, some scholarship boy writers consciously engaged in children’s book criticism to change the middle-class dominance of the field. Drawing on archival material and interviews, this chapter highli
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發(fā)表于 2025-3-23 01:59:13 | 只看該作者
The Conclusion of ,: Critical Ignorance of Class Angere reception history of Alan Garner’s . (.). In the 1960s, the ending of the novel, which strongly highlights a Welsh scholarship boy’s social anger, was widely interpreted as a statement of the devastating and lasting impact of class conflict in Britain. Since the 1970s, however, this ending has mor
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發(fā)表于 2025-3-23 08:25:41 | 只看該作者
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