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Titlebook: Voice and Voicelessness in Medieval Europe; Irit Ruth Kleiman Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 aesthetics.cr

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發(fā)表于 2025-3-28 16:20:03 | 只看該作者
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發(fā)表于 2025-3-28 21:51:39 | 只看該作者
Listening For , in Richard Rolle’s ysticism, Richard Rolle of Hampole (. 1300–1349). Though the abundant archival witness to Rolle’s more popular Latin works like the . and . dwarfs the . ten surviving manuscript copies by comparison, this exuberant treatise appears to have attracted a devoted readership of its own right: in the late
43#
發(fā)表于 2025-3-29 00:38:54 | 只看該作者
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發(fā)表于 2025-3-29 06:26:51 | 只看該作者
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發(fā)表于 2025-3-29 08:17:58 | 只看該作者
Irit Ruth Kleimanin the thirteenth century, Northern Italian poets compose in the same modes. The poems that follow range from the graceful ., by King Frederick, to the energetic ., which draws on a more earthy tradition.
46#
發(fā)表于 2025-3-29 12:07:43 | 只看該作者
nship with corporeality and the processes of construction of one’s own gender non-conforming subjectivity in the context of reference, and examines the conflicts and friction that occur within local LGBTQIA+ communities due to the question of belonging to categories which are defined through a certain bodily conformity.
47#
發(fā)表于 2025-3-29 19:27:52 | 只看該作者
ent space for golf tournaments. Aligned with its counterpoint, the Razorback Golf Center to the north, the clubhouse has evolved from its initial concept as a bridge emerging from within the hill to more of a stand-alone structure set at the base of the hill. With its footprint minimally contacting the land, it is, in effect, a covered bridge.
48#
發(fā)表于 2025-3-29 21:54:22 | 只看該作者
49#
發(fā)表于 2025-3-30 02:07:01 | 只看該作者
Language Without Voice: , as a Political Issuea language of their own, and what they look and sound like when they talk to one another. One might in that case reasonably suppose that, granting that they do share a language, it does not quite resemble our own.
50#
發(fā)表于 2025-3-30 05:13:22 | 只看該作者
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