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Titlebook: Virtual Storytelling; Using Virtual Reality Technologies for Storytelling; Second International Olivier Balet,Gérard Subsol,Patrice Torguet

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樓主: Embolism
31#
發(fā)表于 2025-3-26 21:18:33 | 只看該作者
Character-Focused Narrative Generation for Execution in Virtual Worldstive generation in the Actor Conference system, which is capable of generating narratives with both plot coherence and character believability. These narratives are declarative in nature, readily lending themselves to execution by embodied agents in virtual reality environments.
32#
發(fā)表于 2025-3-27 02:22:31 | 只看該作者
Managing Authorship in Plot Conductionthe different issues involved in the development of interactive narrative applications. Going through a concrete example, we argue that these concepts and tools can contribute to a work methodology with which to attain good results within a feasible time frame.
33#
發(fā)表于 2025-3-27 07:36:03 | 只看該作者
34#
發(fā)表于 2025-3-27 09:27:09 | 只看該作者
The Effects of Mediation in a Storytelling Virtual Environmentrrative successfully. Both audio mediation and the interaction between the mediations increased enjoyment. Overall, the use of subtle mediations that appear natural in the VE setting was shown to be effective.
35#
發(fā)表于 2025-3-27 14:50:39 | 只看該作者
A Cinematography System for Virtual Storytellingects the type of shot that has to be performed in order to fulfill the constraints of a given cinematographic rule (idiom). This level of adaptation constitutes the major novelty of our system. Moreover, it stands for a convenient tool to describe cinematographic idioms for real-time narrative virtual environments.
36#
發(fā)表于 2025-3-27 21:07:41 | 只看該作者
Virtual StoryTelling: A Methodology for Developing Believable Communication Skills in Virtual Actorsts. We will show that an approach based on video analysis is valuable for the design of a system allowing realistic interactions between the avatars and/or the avatars and the environment. Although the analysis is still in progress, we present some preliminary results from our experiments.
37#
發(fā)表于 2025-3-27 23:51:12 | 只看該作者
38#
發(fā)表于 2025-3-28 05:27:02 | 只看該作者
Mediating Action and Background Musicl that allows musicians to create and test new models of action-music interaction, and which ultimately will lead to further investigation on the ”narrative-music” theoretic aspects of emotion induction.
39#
發(fā)表于 2025-3-28 09:00:36 | 只看該作者
40#
發(fā)表于 2025-3-28 11:37:28 | 只看該作者
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