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Titlebook: Violeta Parra’s Visual Art; Painted Songs Lorna Dillon Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license t

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樓主: Jejunum
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發(fā)表于 2025-3-23 10:50:31 | 只看該作者
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發(fā)表于 2025-3-23 16:48:35 | 只看該作者
Introduction to ,t Parra worked in: embroidery, paint and sculpture, with Parra’s work in papier-maché discussed in the section on sculptures. The chapter also includes a short overview of Parra’s biography and career trajectory, which details, among other things, her work for the British Broadcasting Corporation (B
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發(fā)表于 2025-3-23 20:34:08 | 只看該作者
,The Regeneration of Chilean Traditional Culture Through Violeta Parra’s Art,is the most important framework with which to understand the unique visual syntax that Parra developed. Parra’s art was profoundly influenced by traditional cultural practices and artefacts created by working-class Chileans and indigenous groups like the Nazca-Wari, Aymara and Mapuche peoples. Parra
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發(fā)表于 2025-3-23 23:10:48 | 只看該作者
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發(fā)表于 2025-3-24 04:49:32 | 只看該作者
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發(fā)表于 2025-3-24 12:29:46 | 只看該作者
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發(fā)表于 2025-3-24 16:20:18 | 只看該作者
,The Regeneration of Chilean Traditional Culture Through Violeta Parra’s Art,’s work, and it is also discussed in this chapter, specifically the link between her representations of religion and popular conceptions of faith in Chile. This chapter also includes a reflection on the diversity of the exhibition spaces Parra used and the way these relate to her overall artistic ethos.
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發(fā)表于 2025-3-24 20:24:25 | 只看該作者
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發(fā)表于 2025-3-25 02:27:12 | 只看該作者
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