Titlebook: Views of Berlin; From a Boston Sympos Gerhard Kirchhoff (Director) Book 1989 Springer Science+Business Media New York 1989 Berlin.Boston.Sy

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Cabaret and the Dilemma of Satire in the Early Weimar Republicft-liberal persuasion. On the one hand, they could employ a type of social satire that castigated all points of the Weimar political spectrum, and hence developed cynical overtones; or, on the other hand, they could devise an agitational art that espoused radical and revolutionary change, but which

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諷刺

The Grandchildren of Grosz and Kirchner: Realism and Violence in Postwar Berlin Art the exhibition . was shown at the ICA (Institute of Contemporary Arts, London) in 1978, English art critics backed away from the aggressive attacks of the Berlin painters and pointed out how basically different the English art tradition was. As one reviewer put it, “Never deprived of the democratic

CREEK

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懶洋洋

A New Yorker’s Berlineryone who knows me: I am a New Yorker, a native, born and bred, who has lived there his entire life, except for occasional forays “out of town,” as I call the rest of the world. I am a confirmed New Yorker, a profound New Yorker. My New York has been visually represented in the classic Saul Steinbe