Titlebook: Victorian Shakespeare; Volume 2: Literature Gail Marshall (Senior Lecturer in Victorian Litera Book 2003 Palgrave Macmillan, a division of

nerve-sparing

canonical

耐寒

Creatinine-Test

Lobotomy

,‘Where Did She Get Hold of That?’ Shakespeare in Henry James’s ,, becoming difficult for him, through writing plays . the late-Victorian theatre. It is a novel in which Shakespeare plays a large part, and one which consciously recapitulates the history of the nineteenth-century theatre in England and France.

Neuralgia

牽索

,‘To Make the Situation Natural’: , at Mid-Century,eviving (as good as a leach) and fatal’.. But though he did frequently stab, the nineteenth-century Othello always stabbed in black face — actually, after Edmund Kean, more in tawny face. So it comes as no surprise that the painting now seems to be a ‘Tarquin and Lucretia’ by Titian. Nevertheless, e

牽連

Dickens and Hamlet,. During the nineteenth century, when so many artists and thinkers felt themselves to be, in Isobel Armstrong’s term, ‘secondary’, Hamlet metamorphosed from a flawed Prince to the archetypal hero as artist and thinker.. Dickens’s fascination with Hamlet, however, was not born of this hero-worship.

摸索

吞沒