Titlebook: Victorian Pantomime; A Collection of Crit Jim Davis (Professor of Theatre Studies) Book 2010 Palgrave Macmillan, a division of Macmillan Pu

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Victorian Pantomime on Twentieth-century Filmces hitherto unused, perhaps unexpected, research tools. Unapologetically, I point to archival materials. largely unknown to theatre historians and to the certainty of further discoveries to be made by exploring these very sources.

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Dan Leno: Dame of Drury Lanesplay of slapstick, popular song, romance and spectacle. Gyles Brandreth, for instance, claims that ‘pantomime works’ because it provides ‘the security of known relationships … you know where you are: good conquers evil, boy meets girl’.. This limited reading fails to analyse the inherent contradictions of pantomime where all is . what it seems.

Anthology

Mapping the Place of Pantomime in a Victorian Towne preview to the pantomime in the . made very clear, was a production that was very precisely located in Nottingham itself: ‘the librettist has interwoven with it [the well-known and popular nursery story] certain references and remarks which give a local habitation and a name’..

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ind devoted solely to Victorian pantomime. It?takes us through the various manifestations of British pantomime in the Victorian period and its ambivalent relationship with Victorian values.978-1-349-30711-1978-0-230-29178-2

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Introduction: Victorian Pantomimeerly incredible to people who have never been inside a theatre’, creating something that is ‘a(chǎn) glittering, noisy void, horribly wearisome and enervating, like all performances which worry the physical senses without any recreative appeal to the emotions and through them to the intellect.’. Shaw’s di