Titlebook: Victorian Christmas in Print; Tara Moore Book 2009 Palgrave Macmillan, a division of Nature America Inc. 2009 English.expansion.identity.m

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Introduction,le author is preparing a five-shilling volume in imitation of the ..”. That “[e]very little author” saw the possibility of profiting from the burgeoning Victorian Christmas print market can be seen in the growing number of Christmas books reviewed each December for an eager reading audience. Altoget

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,Books for Christmas, 1822–1860,about, a limited number of poems and masterpieces formed the booksellers’ limited Christmas supplies, including Scott’s ., Goldsmith’s ., and a short list of books for children like ., and . volumes.. Then came the annual. From the romantic style of engravings to the material object of the annual an

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How Victorians Read Christmas,and the comfort he took in them. When the Ghost and Scrooge take their first trip into the past, they make their way to Scrooge’s schoolhouse and find his younger self alone, reading. They eavesdrop on the boy’s reading, but not by peering over the lonely schoolboy Ebenezer’s shoulder; rather, they

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Ghost Stories at Christmas,ons of nonfiction history. An 1873 . ghost story opens with one entrepreneurial character, Tom Chester, and his plan to commodify a haunted house: “Rejoice with me … Yes, rejoice with me; I have discovered a new sensation.”. Editors of magazines had been counting on this very sensation to support Ch

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The Poetry of Christmas,hat character. Victorians readers would have had to read between the lines or turn inventive to glean scriptural messages from the Christmas books and nonfiction descriptions of Christmas customs. The poetry of Christmas, however, stands on a different footing. As a descendent of a healthy eighteent