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Titlebook: Verbal Decision Analysis for Unstructured Problems; Oleg I. Larichev,Helen M. Moshkovich Book 1997 Springer Science+Business Media New Yor

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21#
發(fā)表于 2025-3-25 06:14:40 | 只看該作者
Oleg I. Larichev,Helen M. Moshkovichhave detected in the Arab contests a universal event, drawing parallels with the pre-1792 period of the French Revolution (Stora and Plenel, 2011), some jurists thought that they could open new avenues to redefine the ongoing debates on international law and universal rights (Panara and Wilson, 2013
22#
發(fā)表于 2025-3-25 08:19:03 | 只看該作者
23#
發(fā)表于 2025-3-25 14:59:37 | 只看該作者
Oleg I. Larichev,Helen M. MoshkovichIreland by Henry, William O’Sullivan, Daibhi ó Croinin, and Bernard Meehan. Others, such as George Henderson, Nancy Netzer, and myself, have adopted a more nuanced approach, favoring a spread of production centers across all three areas at a time when their religious cultures often collaborated in t
24#
發(fā)表于 2025-3-25 18:19:25 | 只看該作者
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發(fā)表于 2025-3-25 20:05:52 | 只看該作者
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發(fā)表于 2025-3-26 02:55:20 | 只看該作者
27#
發(fā)表于 2025-3-26 06:22:35 | 只看該作者
Oleg I. Larichev,Helen M. Moshkovichthe general issues of life in late modernity. In the many circulating work tales, ranging from depressive crises to pioneering exploits, I recognized a number of themes which seemed the signature of our time: the desire for uniqueness and the nostalgia for routine; the quest for freedom and the long
28#
發(fā)表于 2025-3-26 10:30:31 | 只看該作者
29#
發(fā)表于 2025-3-26 13:51:19 | 只看該作者
licy void that an array of voluntary, self-regulatory, shared governance and private arrangements are beginning to fill (Andrews 1998; Gunningham, Kagan and Thornton 2003; Harrison 1998; Howlett 2000; Rosenbaum 1995; Rosenau 2000; Ruggie 2004; Webb 2002). Despite increasing scholarly attention to th
30#
發(fā)表于 2025-3-26 19:42:33 | 只看該作者
,‘Mean, Mean Pride’: Rush’s Critique of American Cool,position on the sidelines that resonates with a critical Canadian perspective on American culture. While music fandom depends on passionate affiliation, Rush, who do not fit the standard rock and roll image, insist on a more dispassionate examination of what one stands for. They show a compulsion to
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