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Titlebook: Use and Reuse of the Digital Archive; John Potts Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spr

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31#
發(fā)表于 2025-3-26 22:24:48 | 只看該作者
32#
發(fā)表于 2025-3-27 02:41:18 | 只看該作者
Digitisation & Imagination: Curating the Kaldor Public Art Projects Archiveng a digital archive are described in detail. These include the aims, techniques, difficulties and solutions involved in scanning, digitising, organising and constructing an online resource based on a massive physical archive.
33#
發(fā)表于 2025-3-27 07:08:31 | 只看該作者
The (After) Life of the Archive the show edited by Genevieve O’Callaghan and Mark Gowing; and the documentary film . (2019), directed by Samantha Lang. All three projects made extensive use of digitised archival material, but are framed in unique ways in relation to their medium.
34#
發(fā)表于 2025-3-27 13:05:58 | 只看該作者
35#
發(fā)表于 2025-3-27 15:48:06 | 只看該作者
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發(fā)表于 2025-3-27 21:34:36 | 只看該作者
The Romance of Formlie in other conceptualisations? While the aim of born-digital records preservation is to ensure access to information over time, emotional connections are harder to provide. Rather it is in the contextual relationships, the spider-web of search and discovery, where the digital archive can be most powerful.
37#
發(fā)表于 2025-3-27 23:07:23 | 只看該作者
Anthropocene Archival Ethicstt argues that an archive cannot simply store the old. It must also address and redress the labour and materials, the land laid waste, energy expended, and the downtrodden whose sufferings paid for the materials it holds.
38#
發(fā)表于 2025-3-28 02:52:56 | 只看該作者
39#
發(fā)表于 2025-3-28 09:17:48 | 只看該作者
40#
發(fā)表于 2025-3-28 13:17:50 | 只看該作者
Making the Temporary Permanent: The Digital Archiveor referencing and creative re-use by contemporary artists, writers and researchers. Decisions on editing, redaction, censorship, privacy and copyright of archive materials were made during the construction of the digital archive: these decisions and deliberations are discussed.
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