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Titlebook: Understanding Blackness through Performance; Contemporary Arts an Anne Crémieux,Xavier Lemoine,Jean-Paul Rocchi Book 2013 Anne Crémieux, Xa

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發(fā)表于 2025-3-21 19:14:34 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Understanding Blackness through Performance
副標題Contemporary Arts an
編輯Anne Crémieux,Xavier Lemoine,Jean-Paul Rocchi
視頻videohttp://file.papertrans.cn/942/941321/941321.mp4
圖書封面Titlebook: Understanding Blackness through Performance; Contemporary Arts an Anne Crémieux,Xavier Lemoine,Jean-Paul Rocchi Book 2013 Anne Crémieux, Xa
描述How does the performance of blackness reframe issues of race, class, gender, and sexuality? Here, the contributors look into representational practices in film, literature, fashion, and theatre and explore how they have fleshed out political struggles, while recognizing that they have sometimes maintained the mechanisms of violence against blacks.
出版日期Book 2013
關(guān)鍵詞culture; fashion; film; gender; identity; theatre; Vaudeville
版次1
doihttps://doi.org/10.1057/9781137313805
isbn_softcover978-1-349-45915-5
isbn_ebook978-1-137-31380-5
copyrightAnne Crémieux, Xavier Lemoine, and Jean-Paul Rocchi 2013
The information of publication is updating

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Gayle BaldwinDuring the ., in contrast to present-day usage, privateering was defined as the activities of private individuals who, during wartime, waged war at sea with the authorization and under the control of the State.. Anyone privateering on his own initiative, however, was outlawed in Europe and could seek refuge only on the North African coast.
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“Is Anybody Walkin’?”: The Black Body on the Runway as a Performance of the Politics of DesireAlthough I really don’t want to, I need to begin by telling you who I am and how I became involved in the lives of African American same gender loving and transsexual people in Newark, New Jersey. I have to do this because of race. I blame white people. You might say “but you are one!” Yes, whiteness is my inheritance, but it never did take.
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