| 書目名稱 | The Symbolic, the Sublime, and Slavoj Zizek‘s Theory of Film | | 編輯 | Matthew Flisfeder | | 視頻video | http://file.papertrans.cn/921/920883/920883.mp4 | | 圖書封面 |  | | 描述 | Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj ?i?ek‘s theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics. | | 出版日期 | Book 2012 | | 關鍵詞 | argue; cinema; film; film theory; ideology; politics; realism; subject | | 版次 | 1 | | doi | https://doi.org/10.1057/9781137110749 | | isbn_softcover | 978-1-349-34435-2 | | isbn_ebook | 978-1-137-11074-9 | | copyright | Palgrave Macmillan, a division of Nature America Inc. 2012 |
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