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Titlebook: The Nineteenth-Century Novel and the Pre-Cinematic Imagination; Fragmentation, Anima Alberto Gabriele Book 20241st edition The Editor(s) (i

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書目名稱The Nineteenth-Century Novel and the Pre-Cinematic Imagination
副標(biāo)題Fragmentation, Anima
編輯Alberto Gabriele
視頻videohttp://file.papertrans.cn/916/915055/915055.mp4
概述Identifies in pre-cinematic spectacle a so far neglected aspect of novel-theory.Puts under a genealogic lens the birth of the twentieth-century avant-garde.Illustrates through material culture the shi
圖書封面Titlebook: The Nineteenth-Century Novel and the Pre-Cinematic Imagination; Fragmentation, Anima Alberto Gabriele Book 20241st edition The Editor(s) (i
描述.This book fills a gap in existing scholarship on the history of the novel in relation to visual culture by discussing the visual fascination that novelists such as Nathaniel Hawthorne, Herman Melville, Honoré de Balzac and George Eliot show for several types of pre-cinematic spectacle. It also identifies a so far neglected aspect of novel theory that nineteenth-century authors elaborated by incorporating suggestions from pre-cinematic visual spectacles. By shedding light on forms of visuality that were not entertained by the dominant aesthetic modes of painting and photography,?.The Nineteenth-Century Novel and the Pre-Cinematic Imagination?.argues that the presence of nineteenth century pre-cinematic optical illusions in works of fiction redefines the notion of mimesis as animated movement and points to a continuity between pre-cinema, the literary imagination and the structures of knowledge production of the modern episteme..
出版日期Book 20241st edition
關(guān)鍵詞Nathaniel Hawthorne; Herman Melville; Honore de Balzac; George Eliot; visual culture; novel theory; optica
版次1
doihttps://doi.org/10.1057/978-1-137-56131-2
isbn_ebook978-1-137-56131-2
copyrightThe Editor(s) (if applicable) and The Author(s) 2024
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https://doi.org/10.1057/978-1-137-56131-2Nathaniel Hawthorne; Herman Melville; Honore de Balzac; George Eliot; visual culture; novel theory; optica
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ury avant-garde.Illustrates through material culture the shi.This book fills a gap in existing scholarship on the history of the novel in relation to visual culture by discussing the visual fascination that novelists such as Nathaniel Hawthorne, Herman Melville, Honoré de Balzac and George Eliot sho
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