| 書(shū)目名稱 | Classical Presences in Irish Poetry after 1960 |
| 副標(biāo)題 | The Answering Voice |
| 編輯 | Florence Impens |
| 視頻video | http://file.papertrans.cn/228/227124/227124.mp4 |
| 概述 | Invites scholars to reappraise the ways in which the dynamics of the contemporary Irish poetic scene have often been read.Places close readings of key poems within the broader context of the poets’ ca |
| 叢書(shū)名稱 | The New Antiquity |
| 圖書(shū)封面 |  |
| 描述 | This book provides the first overview of classical presences in Anglophone Irish poetry after 1960. Featuring detailed studies of Seamus Heaney, Michael Longley, Derek Mahon, and Eavan Boland, including close readings of key poems, it highlights the evolution of Irish poetic engagements with Greece and Rome in the last sixty years. It outlines the contours of a ‘movement’ which has transformed Irish poetry and accompanied its transition from a postcolonial to a transnational model, from sporadic borrowings of images and myths in the poets’ early attempts to define their own voices, to the multiplication of classical adaptations since the late 1980s -- at first at a time of personal and political crises, notably in Northern Ireland, and more recently, as manifestations of the poets’ engagements with European and other foreign literatures. |
| 出版日期 | Book 2018 |
| 關(guān)鍵詞 | Adaptation; Tragedy; Greek; Latin; Catholic; British and Irish Literature |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-319-68231-0 |
| isbn_softcover | 978-3-319-88567-4 |
| isbn_ebook | 978-3-319-68231-0Series ISSN 2946-3017 Series E-ISSN 2946-3025 |
| issn_series | 2946-3017 |
| copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
|Archiver|手機(jī)版|小黑屋|
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