Titlebook: Strategies of Representation in Auto/biography; Reconstructing and R Muchativugwa Hove,Kgomotso Masemola Book 2014 Palgrave Macmillan, a di

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,Vortex of Violence: The Apocalyptic Imagination in Peter Godwin’s ,ogue of amputation and castration. Constructing a discourse of fear, as embodied in the title, and hinting at an apocalyptic Armageddon in the subtitle, . displays a particular conglomeration of narrative strategies that stoke alarms and dystopic representations of the beast, Robert Mugabe, as architect of the demise of the Zimbabwean nation.

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Book 2014frican literary discourse. It examines how such representations confirm, validate, interrogate and pervade conversations with issues of identity, nation and history. In addition to providing an overview of the multidimensionality of auto/biography, the book also introduces readers to various ways of

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https://doi.org/10.1057/9781137340337Reconstructing; remembering; identity matrices; contested histories; ideology; autobiography; biography; na

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978-1-349-46482-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2014

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,Imagining the Nation: Autobiography, Memoir, History or Fiction in Peter Godwin’s Writings,autobiography and memoir is to inscribe identity and project voice, through recourse to selective memory, so that the (re)positioning of the self emerges not only as interrogating the period of becoming but also revealing the fragility and elusiveness of that identity.

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,“We Were Little Kings in Rhodesia”: Rhodesian Discourse and Representations of Colonial Violence iny some of the commercial farmlands in their possession, Karin Alexander, herself a white Zimbabwean, alluding to Benedict Anderson’s theory of nation-building (Anderson 1991:205), says, “A nation re-imagined daily by its inhabitants requires a ‘narrative of identity’, a story that locates it in time and provides a sense of continuity.”

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