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Titlebook: Staging Black Feminisms; Identity, Politics, Lynette Goddard Book 2007 Palgrave Macmillan, a division of Macmillan Publishers Limited 2007

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發(fā)表于 2025-3-21 18:31:07 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Staging Black Feminisms
副標題Identity, Politics,
編輯Lynette Goddard
視頻videohttp://file.papertrans.cn/876/875572/875572.mp4
叢書名稱Performance Interventions
圖書封面Titlebook: Staging Black Feminisms; Identity, Politics,  Lynette Goddard Book 2007 Palgrave Macmillan, a division of Macmillan Publishers Limited 2007
描述Staging Black Feminisms explores the development and principles of black British women‘s plays and performance since the late Twentieth century. Using contemporary performance theory to explore key themes, it offers close textual readings and production analysis of a range of plays, performance poetry and live art works by practitioners.
出版日期Book 2007
關鍵詞feminism; identity; migration; theatre; women
版次1
doihttps://doi.org/10.1057/9780230801448
isbn_softcover978-1-349-54083-9
isbn_ebook978-0-230-80144-8Series ISSN 2947-5600 Series E-ISSN 2947-5619
issn_series 2947-5600
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2007
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:11:11 | 只看該作者
Winsome Pinnock’s Migration Narratives the George Devine award for . in 1991 and she was the first black British woman to have a play staged at the National Theatre when . was revived at the Cottesloe in 1995. Her career has also included commissions for television.and radio.
板凳
發(fā)表于 2025-3-22 00:59:19 | 只看該作者
Black Mime Theatre Women’s Troopnciple that ‘t is a world of gesture, facial expression, and sound that reveals what we have in common’ (BMT Press Pack), thus they aimed ‘to provide entertaining and thought-provoking experiences, relying on visual rather then verbal skills to break through barriers of language, accent, age and class’ (BMT Press Pack).
地板
發(fā)表于 2025-3-22 08:26:26 | 只看該作者
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發(fā)表于 2025-3-22 11:57:35 | 只看該作者
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發(fā)表于 2025-3-22 14:28:23 | 只看該作者
Black British Women and Theatre: An Overviewth the post-war theatre productions which practically excluded the black experience altogether. Several critics have pointed out that even though black theatre in Britain is usually classified as alternative theatre it did not develop alongside the 1960s fringe theatre movement whose focus on politi
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發(fā)表于 2025-3-22 17:43:47 | 只看該作者
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發(fā)表于 2025-3-23 00:05:55 | 只看該作者
Winsome Pinnock’s Migration Narrativesvery few black women playwrights in this country whose work has been recognised and celebrated by the mainstream’ (Stephenson and Langridge, 1997, p. 46). Her plays have been produced by well-established theatre companies at key venues, including the Royal Court and the Tricycle Theatre..Pinnock won
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發(fā)表于 2025-3-23 02:58:17 | 只看該作者
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發(fā)表于 2025-3-23 06:39:07 | 只看該作者
Jackie Kay and Valerie Mason-John’s Zamis, Lesbians and Queers and the late 1990s (Mason-John) their plays reflect each respective era’s attitudes about black and lesbian identity. Both Kay’s and Mason-John’s personal biographies indicate distinctive perspectives from which to critique biologically deterministic ideas about identity. Kay is of mixed parentage
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