Titlebook: Staged Normality in Shakespeare‘s England; Rory Loughnane,Edel Semple Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Renai

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Frances E. Dolanicial to a broad spectrum of readers ranging from pure and applied mathematicians in electromagnetic field theory to researchers and engineers who are familiar with mathematics. Further, it is also useful as a 978-981-19-0586-5978-981-19-0584-1Series ISSN 0342-4111 Series E-ISSN 1556-1534

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icial to a broad spectrum of readers ranging from pure and applied mathematicians in electromagnetic field theory to researchers and engineers who are familiar with mathematics. Further, it is also useful as a 978-981-19-0586-5978-981-19-0584-1Series ISSN 0342-4111 Series E-ISSN 1556-1534

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Book 2019in the composition and performance of early modern drama..This book was preceded by a companion collection,?Staged Transgression in Shakespeare‘s England, published in 2013: https://link.springer.com/book/10.1057/9781137349354.

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Regulating Time and the Self in Shakespearean Dramae’s drama stage and circulate this idea? Recent critical and cultural turns highlight the importance of these questions, which ask for a re-evaluation of our history of self-regulation. As has been widely acknowledged, early modernity proved a crucible for the dissemination of the idea of individual

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Under the Skin: A Neighbourhood Ethnography of Leather and Early Modern Drama as its premise geocriticism’s central tenet that in order to really understand place the ethnographer works from the specific neighbourhood outwards. Using Southwark and the surrounding area of the first open air commercial playhouses, this chapter examines the relevance of one particular craft nei