Titlebook: Shakespeare and Carnival; After Bakhtin Ronald Knowles (Senior Lecturer in English) Book 1998 Palgrave Macmillan, a division of Macmillan P

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Book 1998This collection of essays is the first to reassess a range of Shakespeare‘s plays in relation to carnivalesque theory. Contributors re-historicize the carnivalesque in different ways, offering both a developed application, or critique of, Bakhtin‘s thought.

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,‘A short report and not otherwise’: Jack Cade in ,Thomas Hobbes was no Bakhtinian. In . he asserts that ‘during the time men live without a common Power to keep them all in awe, they are in that condition which is called Warre’, as ‘the nature of war, consisteth not in actuall fighting’. In terms strangely reminiscent in places of Bakhtin’s carnival, he defines this liminal time thus:

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,‘Swimming on bladders’: the Dialogics of Reformation in Shakespeare & Fletcher’s ,early July 1613 to his friend Richard Weeks:.., or . as it is better known to us, was Shakespeare’s penultimate stageplay and the second of his three collaborations with Fletcher; it is also that rare bird, a play for which we can give an exact date of first performance, simply because of its peculiar status as the play that destroyed the Globe.

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Carnival and Death in ,early modern world, and in Shakespeare particularly. ‘Shakespeare’s drama’, he writes, ‘has many outward carnivalesque aspects: images of the material body lower stratum, of ambivalent obscenities, and of popular banquet scenes.’ He also suggests that ‘the analysis we have applied to Rabelais would

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The Carnivalesque in ,l.. From the Greek world the most important theoretical statement is to be found in Plato:.This is first a . theory, maintaining that carnival restores human beings to an earlier state of being when humans were closer to the divine. And second, it associates carnival with communal .. Plato argues th

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,Shakespeare’s ‘Battle of Carnival and Lent’: The Falstaff Scenes Reconsidered (,),y the principles of inversion and permutation work underneath the surface of carnival and festive misrule.. There ‘Billingsgate’, the language of the marketplace, takes precedence over the idiom of the learned, of Church and university culture. For Bakhtin, the carnivalesque is another version of th

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