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Titlebook: Sex, Violence and the Body; The Erotics of Wound Viv Burr,Jeff Hearn Book 2008 Palgrave Macmillan, a division of Macmillan Publishers Limit

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樓主: protocol
21#
發(fā)表于 2025-3-25 06:03:18 | 只看該作者
Sheila Jeffreysrees of valgus, and the goals of knee replacement surgery include a painfree knee with normal alignment and functional range of motion. We believe a posterior-stabilized prosthesis with sacrifice of the PCL will provide more reliable results for most surgeons in the valgus knee. The surgical epicond
22#
發(fā)表于 2025-3-25 10:10:00 | 只看該作者
23#
發(fā)表于 2025-3-25 14:38:00 | 只看該作者
Michelle Jones,Jeff Hearne pictures.Offers step-by-step guidance through each presentThis concise and handy book offers practical guidance to orthopedic surgeons and residents willing to master knee arthroscopy techniques in their daily practice. Based on scientific evidence but also mirroring expert know-how and best pract
24#
發(fā)表于 2025-3-25 18:20:30 | 只看該作者
Ani Ritchietep.Includes supplementary material: With this book, Knee Arthroscopy, Dr. Brian McKeon, Dr. James Bono, and Dr. John Richmond and their selected contributors have carefully amassed a compendium of chapters well suited for the general orthopaedist as well as for the accomplished knee surgeon. Auth-
25#
發(fā)表于 2025-3-25 21:06:12 | 只看該作者
26#
發(fā)表于 2025-3-26 02:54:14 | 只看該作者
27#
發(fā)表于 2025-3-26 05:37:16 | 只看該作者
28#
發(fā)表于 2025-3-26 11:37:46 | 只看該作者
29#
發(fā)表于 2025-3-26 13:43:54 | 只看該作者
Tortured Heroes: The Story of Ouch! Fan Fiction and Sadomasochism,‘should we not’ do to bodies in representation? And when representations involve the eroticised body bound, the skin broken and the inducement of pain, how then may we read them? In particular I explore representations of the body under duress in fictional audience-produced texts online — in fan fiction — and their contemporary cultural meanings.
30#
發(fā)表于 2025-3-26 19:41:50 | 只看該作者
Cut Pieces: Self-Mutilation in Body Art,The picturing of torment and suffering is also no news to art history. But the extended use of the artist’s own real body, its flesh and blood, belongs to the twentieth century and grew to become established as a specific artistic practice during the 1960s.
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