Titlebook: Serial Pinboarding in Contemporary Television; Anne Ganzert Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive lic

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Serial Pinboarding,ing this, the book’s four main examples are introduced: ., ., . and . all contribute important aspects to the development of serial pinboarding. Summarizing this chapter’s findings, pinboarding is defined as a serial practice, with a specific aesthetic, mediality, narrative implications, and semiotics.

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Pinning Knowledge,tice of pinning knowledge. Additionally, the pinboards are discussed as systems of bifurcation, rhizomatic structures, and walk-in spider webs, eventually further forming the general categories of serial pinboarding that are applicable to pinboarding structures beyond this book’s scope.

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Conclusion,pters and giving an outlook into further research, which has the potential to make full use of this book’s interdisciplinary approach, and which makes Ganzert’s book a cliffhanger for future episodes of serial pinboarding.

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Pinning Evidence,y, origin, or meaning. A simple yet fundamental statement for pinboarding that Ganzert explores in this chapter and takes a closer look at written documents, photos, and evidence bags in particular, is to carve out their specific pinboarding traits.

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