Titlebook: Ronald Johnson’s Modernist Collage Poetry; Ross Hair Book 2010 Ross Hair 2010 America.poetics.poetry.Romanticism

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Luminous Detail: Ezra Pound and Collage,s not an extension of content in . It is not until . that form and content become integrated more thoroughly. But in order to understand how Johnson achieves this, it is first necessary to consider the role Pound plays in the direction Johnson’s collage poetics take.

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Book 2010erican" collage tradition, stretching from Ezra Pound to Louis Zukofsky and beyond. Additionally, the book assesses Johnson‘s work in relation to wider questions concerning literary chronologies, especially the discontinuities commonly seen to exist between nineteenth-century Romantic and twentieth-

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years, as noted in Chapter 3, this history was a relatively secret one, as the psychoanalysts set about rebuilding their organisation and their myths, specifically presenting themselves — like many other Germans — as always having been victims and possibly opponents of Nazism. The debate over whethe

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Ross Hairich is often seen as a convenient category into which to project unwanted aspects of the self, but is not fully explored as a fundamental principle of social — and hence psychological — organisation. The argument here is that otherness, embodied in a person or people called ‘the other’, is a primary

Efflorescent

Ross Hairich is often seen as a convenient category into which to project unwanted aspects of the self, but is not fully explored as a fundamental principle of social — and hence psychological — organisation. The argument here is that otherness, embodied in a person or people called ‘the other’, is a primary

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