Titlebook: Romanticism, Philosophy, and Literature; Michael N. Forster,Lina Steiner Book 2020 The Editor(s) (if applicable) and The Author(s), under

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Dostoevsky as a Romantic Novelista quintessential expression of literary and philosophical modernism. This chapter argues that in order to fully understand Dostoevsky’s breakthrough one ought to examine his work in the context of both German and Russian aesthetic debates in the 1800s–60s. The crucial role in all these discussions b

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惡臭

Mythology and Modernitynt. The reflective concept of the present is constitutive for the ideas of the “modern” and of “modernity.” This essay emphasizes the aporias of these early, rudimentary projects for a “new mythology,” while also stressing their current relevance.

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The Experience of Everything: Romantic Writing and Post-Kantian Phenomenologye.” In showing this I am assisted by the degree to which such an idea is actually a contentious theme of some major English poetry of Byron and Shelley: Byron’s poetic grasp of the “thing” and Shelley’s evocation of “l(fā)ife.”

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