Titlebook: Romanticism and the Letter; Madeleine Callaghan,Anthony Howe Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive li

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Two Wordsworths: Mountain-climbing, Letter-writing,liam Johnson, a former curate and schoolmaster in Grasmere, of her adventure with ‘a(chǎn) female Friend, an unmarried Lady, who, bewitched with the charms of the rocks, & streams, & Mountains’ of the Vale of Borrowdale, proposed hiking ‘up a mountain called at the top Ash Course’, with a promise of ‘a(chǎn) mo

輕而薄

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產(chǎn)生

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,The Tensions of Jane Austen’s Epistolary Style,nd advice on the ongoing novel which this budding author has sent her aunt for feedback, but these are mainly of a practical nature, concerning such matters as names, titles and etiquette (‘And when M. Portman is first brought in, he w. not be introduced as .—. distinction is never mentioned at such

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存心

,‘Foam is their foundation’: The Poetics of Byron’s Letters, 1832, ‘Lord Byron’s . had so completely taken possession of me. His letters are at least a psychological phenomenon’; Maria Edgeworth shared her sister’s response in February 1831: ‘I quite agree my dear Honora in all you say and feel about Moore’s life of Lord Byron and about Byron’s own letters.

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Byron, Shelley, and Keats, and the Limits of Letters, way from the spontaneity of the letter. Letters, in their apparent freedom from artfulness, prevent the poet from exploiting the possibilities of such structures through subversion of and adherence to formal and generic conventions. With their responsibility to communicate with a specific addressee

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