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Titlebook: Rights Affecting the Manufacture and Use of Gramophone Records; Willem Mak Book 1952 Springer Science+Business Media Dordrecht 1952 contra

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發(fā)表于 2025-3-21 19:27:14 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Rights Affecting the Manufacture and Use of Gramophone Records
編輯Willem Mak
視頻videohttp://file.papertrans.cn/831/830352/830352.mp4
圖書封面Titlebook: Rights Affecting the Manufacture and Use of Gramophone Records;  Willem Mak Book 1952 Springer Science+Business Media Dordrecht 1952 contra
描述When dealing, as in this study, with gramophone records, we almost unconsciously think of music. For the number of gramophone records in which music, either vocal or instrumental, does not playa part is quite small. Hence we shall concern our- selves principally with musical records. 1. Music may be said to be as old as humanity itself: from the very beginning of history man has given expression to his emo- tions by means of sounds. In one of the first chapters of the Bible harps and organs are mentioned 1) and further on in the Book of Books we find musical instruments mentioned repeatedly. Let us quote a few instances at random: Gen. 31 : 27; Ex. 15 : 20; 1 Sam. 16 : 23; 2 Sam. 6 : 5; Psalm 150; 1 Cor. 14 : 7,8. Throughout the ages music having at first no other than a religious character, evolved and differentiated itself with the result that now we know music in all its numerous variations: beside religious music we have secular music in the form of symphonic music, military music, dance-music and so on.
出版日期Book 1952
關(guān)鍵詞contract
版次1
doihttps://doi.org/10.1007/978-94-015-0841-4
isbn_softcover978-94-015-0308-2
isbn_ebook978-94-015-0841-4
copyrightSpringer Science+Business Media Dordrecht 1952
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The Practical Side of Musical Copyright,t of ., in pursuance of which anyone wishing to undertake one of these exploitations must obtain the previous consent of the author, or that of the person to whom the author has assigned the exclusive right in question.
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The Practical Side of Musical Copyright,was in the nature of this work that we practically only concerned ourselves with two exclusive rights of the author, viz.: the right of . and the right of ., in pursuance of which anyone wishing to undertake one of these exploitations must obtain the previous consent of the author, or that of the pe
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