Titlebook: Revolutionary Cycles in Chinese Cinema, 1951–1979; Zhuoyi Wang Book 2014 Zhuoyi Wang 2014 Chinese cinema.Chinese revolution.Chinese histor

能干

書目名稱Revolutionary Cycles in Chinese Cinema, 1951–1979影響因子(影響力)




書目名稱Revolutionary Cycles in Chinese Cinema, 1951–1979影響因子(影響力)學(xué)科排名




書目名稱Revolutionary Cycles in Chinese Cinema, 1951–1979網(wǎng)絡(luò)公開度




書目名稱Revolutionary Cycles in Chinese Cinema, 1951–1979網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Revolutionary Cycles in Chinese Cinema, 1951–1979被引頻次




書目名稱Revolutionary Cycles in Chinese Cinema, 1951–1979被引頻次學(xué)科排名




書目名稱Revolutionary Cycles in Chinese Cinema, 1951–1979年度引用




書目名稱Revolutionary Cycles in Chinese Cinema, 1951–1979年度引用學(xué)科排名




書目名稱Revolutionary Cycles in Chinese Cinema, 1951–1979讀者反饋




書目名稱Revolutionary Cycles in Chinese Cinema, 1951–1979讀者反饋學(xué)科排名

存在主義

objection

https://doi.org/10.1057/9781137378743Chinese cinema; Chinese revolution; Chinese history; Maoism; revolutionary culture; communist culture; pro

set598

tendinitis

,From Disaster to Laughter: Making Comedies in a Changing Political Landscape, 1959–1963, of their original objectives. The former intensified ideological struggles and protracted the GLF. The latter completed the CCP’s U-turn away from the campaign and significantly relaxed the political atmosphere.

languid

encomiast

canvass

兇殘

使人入神

From , to the Career of ,: Adapting Private Studio Filmmaking Legacy for a Nationalized Cinema, 195Republican-era movie magazines. In a long essay published in the first three issues of the magazine, Huang Zongying, a progressive Shanghai private studio actor (.),. told a story of her witnessing the “l(fā)iberation” of a Chinese girl from the Hollywood star culture. Entitled “Two Cultures,” the story