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Titlebook: Revisiting and Revising the Fifties in Contemporary US Popular Culture; Self-Reflexivity, Me Eleonora Ravizza Book 2020 The Editor(s) (if a

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發(fā)表于 2025-3-21 17:22:08 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Revisiting and Revising the Fifties in Contemporary US Popular Culture
副標題Self-Reflexivity, Me
編輯Eleonora Ravizza
視頻videohttp://file.papertrans.cn/830/829844/829844.mp4
概述a cultural- and literary-studies investigation
圖書封面Titlebook: Revisiting and Revising the Fifties in Contemporary US Popular Culture; Self-Reflexivity, Me Eleonora Ravizza Book 2020 The Editor(s) (if a
描述In this book, Eleonora Ravizza analyzes how contemporary Americanpopular culture has represented and reproduced the fifties. Byinvestigating the cultural work of films and TV series from the last twodecades, the book uncovers the inherent limitations of a ‘revisionist’take on the fifties. Ravizza argues that, due to the visual nature ofthe fifties—crystallized in American consciousness through thewidespread influence of television—most contemporary attempts to reworkand rewrite the regressive gender, queer, and racial politics fall shortof such a revisionist reevaluation..?
出版日期Book 2020
關鍵詞gender; Mad Men; television; film; queerness; consumer culture; masculinity; bodies; desire; sexuality; suburb
版次1
doihttps://doi.org/10.1007/978-3-662-61874-5
isbn_softcover978-3-662-61873-8
isbn_ebook978-3-662-61874-5
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer-Verlag GmbH, DE
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:01:51 | 只看該作者
Eleonora Ravizzaa cultural- and literary-studies investigation
板凳
發(fā)表于 2025-3-22 01:39:29 | 只看該作者
地板
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5#
發(fā)表于 2025-3-22 11:56:49 | 只看該作者
https://doi.org/10.1007/978-3-662-61874-5gender; Mad Men; television; film; queerness; consumer culture; masculinity; bodies; desire; sexuality; suburb
6#
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發(fā)表于 2025-3-23 04:51:15 | 只看該作者
The Melodramatic Mode: Suffering Bodies and Troubled Minds,cade might well be the New Melodrama” (“Melodramatic”). He continued by recounting how popular culture had recently embraced melodramatic excess and “the stylized overemotionality, the penchant for formal elements that overwhelm, in wild disproportion, the actual plot or ?theme’ of a movie” (“Melodr
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發(fā)表于 2025-3-23 07:47:50 | 只看該作者
The Politics of Queer Nostalgia, should not be encouraged. Nonetheless, as seen in the dozens of TV sequels, reboots, and remakes that have emerged in the last few years, it is a powerful force that is strongly present and is being capitalized on by popular culture. This ?exploitation’ of nostalgia comes at a time of social and po
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