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Titlebook: Revisionist Shakespeare; Transitional Ideolog Paul Cefalu Book 2004 Palgrave Macmillan, a division of Nature America Inc. 2004 culture.dram

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發(fā)表于 2025-3-21 18:52:05 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Revisionist Shakespeare
副標題Transitional Ideolog
編輯Paul Cefalu
視頻videohttp://file.papertrans.cn/830/829809/829809.mp4
圖書封面Titlebook: Revisionist Shakespeare; Transitional Ideolog Paul Cefalu Book 2004 Palgrave Macmillan, a division of Nature America Inc. 2004 culture.dram
描述Revisionist Shakespeare appropriates revisionist history in order to both criticize traditional transitional interpretations of Shakespearean drama and to offer a new methodology for understanding representations of social conflict in Shakespeare‘s play and in Early Modern English culture. Rather than argue that Shakespearean drama allegorizes historical transitions and ideological polarization, Revisionist Shakespeare argues that Shakespeare‘s plays explore the nature of internally contradictory Early Modern institutions and belief-systems that are only indirectly related to competing political and class ideologies. Such institutions and belief-systems include Elizabethan strategies for the management of vagrancy, the nature of Jacobean statecraft, objective and subjective theories of economic value, Protestant ethical theory, and Augustinian notions of sinful habituation. The book looks at five of Shakespeare‘s plays: The Tempest , Coriolanus , The Merchant of Venice , King Lear , and Hamlet .
出版日期Book 2004
關(guān)鍵詞culture; drama; Hamlet; Ideologie; King Lear; Marxism; Narrative; Shakespearean drama; Tradition; William Sha
版次1
doihttps://doi.org/10.1057/9781403973658
isbn_softcover978-1-349-52842-4
isbn_ebook978-1-4039-7365-8
copyrightPalgrave Macmillan, a division of Nature America Inc. 2004
The information of publication is updating

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The Ends of Absolutism: , and Jacobean Political Irony,ance of the emergence of a civic humanist polity in England.’ When viewed in the context of more recent transitional appropriations of the play, Pocock’s notion of the exceptional and untimely nature of the play seems quaint. Recent discussions have described . as transitional not because it is symp
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Shylock as ,: Mercantilist Fallacies and Subjective Demand in ,,of . posit an ideological opposition between two broadly defined economic modes of production, and then locate the principal characters along these ideological axes. In the most sophisticated, counterintuitive of such readings, Walter Cohen argues that Antonio, the usurious merchant-financier, is th
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,“Damnéd Custom … Habits Devil”: Hamlet’s Part-Whole Fallacy and the Early Modern Philosophy of Mindardness as the distinctively philosophical, “modern” element in the play. In this final chapter, I argue that Hamlet is a radical behaviorist rather than radical innatist or precursor of Cartesian dualism.’ What shapes Hamlet’s behaviorism is the early modern assimilation of the Augustinian theory o
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Introduction: On Shakespearean Contradictions,s; Macbeth as a liberal and refined individual, opposed to the blandness of normative convention and absolutism; Coriolanus as a possessive individualist; and of course, Hamlet as a precociously self-alienated modernist..
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發(fā)表于 2025-3-23 08:49:43 | 只看該作者
The Early Modern Veil of Ignorance: Natural Rights Theory in ,,— historical parameters of duteous service. The play more fundamentally offers a metaethical inquiry on the mutually entailing relationship between basic liberties and . duties, and it meditates on the origin of first principles of justice in the absence of any shaping religious framework.
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