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Titlebook: Rembrandt and His Critics 1630–1730; Seymour Slive Book 1953 Springer Science+Business Media Dordrecht 1953 18th century.Rembrandt.Rembran

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樓主: Exaltation
21#
發(fā)表于 2025-3-25 03:36:33 | 只看該作者
Epilogue,ok brief notice of the young painter until Arnold Houbraken wrote his lengthy biography. Rembrandt’s late as well as his early works met approval and with very few exceptions 17th and 18th century critics accrpted him as a serious history painter and applauded his portraits, etchings and drawings.
22#
發(fā)表于 2025-3-25 09:30:21 | 只看該作者
23#
發(fā)表于 2025-3-25 12:45:37 | 只看該作者
24#
發(fā)表于 2025-3-25 17:46:51 | 只看該作者
25#
發(fā)表于 2025-3-25 23:18:43 | 只看該作者
,Rembrandt’s Reputation in the Netherlands after the Delivery of the Night Watch,r the ... This generous remuneration should not lead us to exaggerate the estimation of Rembrandt at The Hague, for after Frederick Henry’s death, in 1647, we no longer find a trace of Rembrandt working for the court. He continued, however, to find new admirers in the Netherlands.
26#
發(fā)表于 2025-3-26 01:44:52 | 只看該作者
27#
發(fā)表于 2025-3-26 07:39:57 | 只看該作者
28#
發(fā)表于 2025-3-26 11:58:58 | 只看該作者
29#
發(fā)表于 2025-3-26 16:28:41 | 只看該作者
,Rembrandt’s Reputation in the Netherlands after the Delivery of the Night Watch,rait into a breathtaking burst of light, color and movement. It has already been noted there is no indication that the Dutch public found the canvas, which was Rembrandt’s most ambitious and revolutionary work up to that date, incomprehensible because of its daring innovations, and therefore ignored
30#
發(fā)表于 2025-3-26 20:06:23 | 只看該作者
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