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Titlebook: Rembrandt and His Critics 1630–1730; Seymour Slive Book 1953 Springer Science+Business Media Dordrecht 1953 18th century.Rembrandt.Rembran

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樓主: Exaltation
11#
發(fā)表于 2025-3-23 11:12:09 | 只看該作者
Seymour Slive wolfach Mathematical Research Institute, August 9-16, 1980. They include 33 of the 38 invited conference papers, as well as three papers subsequently submitted in writing. Further, there is a report devoted to new and unsolved problems, based on two special sessions of the conference. The present v
12#
發(fā)表于 2025-3-23 15:59:20 | 只看該作者
Seymour Slive wolfach Mathematical Research Institute, August 9-16, 1980. They include 33 of the 38 invited conference papers, as well as three papers subsequently submitted in writing. Further, there is a report devoted to new and unsolved problems, based on two special sessions of the conference. The present v
13#
發(fā)表于 2025-3-23 18:26:27 | 只看該作者
14#
發(fā)表于 2025-3-23 23:31:45 | 只看該作者
Seymour Sliveon x → x*k, where k is the Dirichlet kernel 1, has minimum norm among all projections L. (G) → E.. We proved in [4] that the Fourier projection is the unique minimum norm projection L. (G) → E., whenever the kernel k is determined up to a constant factor as an element of E. by its r
15#
發(fā)表于 2025-3-24 05:14:46 | 只看該作者
wolfach Mathematical Research Institute, August 9-16, 1980. They include 33 of the 38 invited conference papers, as well as three papers subsequently submitted in writing. Further, there is a report devoted to new and unsolved problems, based on two special sessions of the conference. The present v
16#
發(fā)表于 2025-3-24 09:28:14 | 只看該作者
17#
發(fā)表于 2025-3-24 10:41:50 | 只看該作者
18#
發(fā)表于 2025-3-24 17:42:38 | 只看該作者
978-94-015-0306-8Springer Science+Business Media Dordrecht 1953
19#
發(fā)表于 2025-3-24 19:05:58 | 只看該作者
20#
發(fā)表于 2025-3-25 01:54:58 | 只看該作者
Joost Van Den Vondel,t, virtually ignored 17th century Holland’s greatest painter, few Rembrandt scholars have failed to call attention to this singular fact.. Nevertheless, . would be impossible to review Rembrandt’s reputation during his lifetime without examining this material once again.
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