Titlebook: Remaking Kurosawa; Translations and Per D. P. Martinez Book 2009 Palgrave Macmillan, a division of Nature America Inc. 2009 anthropology.ci

RAGE

manifestation

,Remaking ,: From Subjectivity to “the” Truth,anslation, it must also be asked: “What does it mean to remake a film as opposed to translating it?” Telling stories again appears to be a way of opening up the many layers of meaning we might find embedded in any given tale. An insightful edited book on filmic remakes, . (1998), allow s every contr

lacrimal-gland

現(xiàn)任者

Ostrich

,And on Television…, memor y; the world as hell; subjec tive u ndersta nd ings of the world; the position of women in society; the (in) ability to accept responsibility; questions of truth, of innocence and guilt. No single film is about all these things, although each film could be said to share the assumption that so

Reclaim

Fibrinogen

開(kāi)玩笑

Cloning Kurosawa,adaptations, remakes, or permutations: they always result in something new while maintaining the connection to the old. Or to elaborate on the reference to Lucas’ . series, unless the clone is raised in a manner identical to the original, it is not going to be the same person, although there will be

進(jìn)步

cultivated

Setting the Scene, has long remade films is seen as an indication of the fact that it is popular culture and opposed to the realm of high art. This is certainly one of the lines offered by the adherents of the Frankfurt school such as Adorno (1991) when considering popular culture.