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Titlebook: Religion and Aesthetic Experience in Joyce and Yeats; Tudor Balinisteanu Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Re

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樓主: APL
31#
發(fā)表于 2025-3-27 00:32:14 | 只看該作者
Aufkl?rung, Hegelianismus und Judentum im Lichte der Freundschaft von Heine und Gansden hegelianischen Rechtsphilosophen Eduard Gans (1797–1839)., da? der Oxforder Germanist Siegbert Salomon Prawer den Reigen von Heines jüdischen Portraits und Karikaturen, den er in seiner gro?en Studie ?Heine’s Jewish Comedy? an uns vorüberziehen l??t, mit Heines Bild von Gans er?ffnet.. Aus dem z
32#
發(fā)表于 2025-3-27 02:21:28 | 只看該作者
MATHEMATICAL MODELING OF NEURAL ACTIVITY,ntral challenge is to understand this network behavior and establish connections between properties at the microscopic level (single neurons) and observed brain activity at the macroscopic systems level. After a brief introduction to the brain, cortex and neurons, various mathematical models describ
33#
發(fā)表于 2025-3-27 07:02:29 | 只看該作者
DISTiL: DIStributed Industrial Computing Environment for Trustworthy DigiTaL Workflows: A Design Perlobal competitiveness and sustainability. Data is viewed as an essential resource for economic growth, competitiveness, innovation, job creation and societal progress. As such, EU industry needs to develop highly integrated digital networks that can underpin the creation of innovative digital servic
34#
發(fā)表于 2025-3-27 11:18:21 | 只看該作者
Converging Evidence for Emotional Structures: Theory and Method the clinician must be, “I knew that all along.” But the goal of research must also be to discover what we have previously had no access to, and what we seem to know, but wrongly. You can see that the work of the researcher is in some respects like that of the patient as well as the therapist. All p
35#
發(fā)表于 2025-3-27 13:41:49 | 只看該作者
Musical Moments as Narrative and Emotional Catalysts in Three Silent Films by Jacques Feyderh avant-garde of the 1920s in the work of Delluc, Epstein, Gance, Grémillon or L’Herbier. Jacques Feyder’s three films for the Franco-Russian production company Albatros—. .’. (1925), . (1926) and . (1928)—demonstrate his unprecedented mastery of the ‘musical moment’ both in its relationship to stor
36#
發(fā)表于 2025-3-27 19:46:48 | 只看該作者
37#
發(fā)表于 2025-3-28 00:48:13 | 只看該作者
38#
發(fā)表于 2025-3-28 04:54:29 | 只看該作者
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發(fā)表于 2025-3-28 09:20:49 | 只看該作者
40#
發(fā)表于 2025-3-28 12:21:14 | 只看該作者
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