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Titlebook: Reframing Information Architecture; Andrea Resmini Book 2014 Springer International Publishing Switzerland 2014 cross-channel design.infor

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21#
發(fā)表于 2025-3-25 06:48:20 | 只看該作者
The Interplay of the Information Disciplines and Information Architecture,us is on the work of web information architecture, with the aim of developing a deeper understanding of the practice and its influences. From the examination of the practice that surrounds the creation of an information-rich website, this chapter reports the disciplinary profiles of the practitioner
22#
發(fā)表于 2025-3-25 08:15:46 | 只看該作者
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發(fā)表于 2025-3-25 13:19:07 | 只看該作者
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發(fā)表于 2025-3-25 19:04:38 | 只看該作者
25#
發(fā)表于 2025-3-25 20:28:02 | 只看該作者
What We Make When We Make Information Architecture,itecting when we practice information architecture?” I propose in summary form some ideas about how information architecture’s medium, information, can be usefully described in three modalities (physical, semantic, and digital), and how a full understanding of embodied cognition and affordance theor
26#
發(fā)表于 2025-3-26 03:05:35 | 只看該作者
27#
發(fā)表于 2025-3-26 05:52:07 | 只看該作者
28#
發(fā)表于 2025-3-26 11:54:30 | 只看該作者
,Cross-channel Design for Cultural Institutions—The Istituto degli Innocenti in Florence,fferent entities and sources of knowledge on childhood and adolescence, which it owns. These channels are related one to another to create a unique ecosystem, to allow a seamless experience among various contexts and a systemic integration of the institution’s holdings. The relationship between diff
29#
發(fā)表于 2025-3-26 14:23:10 | 只看該作者
,Information Architecture as a Discipline—A Methodological Approach,no (Future Comput Syst 1:71–97, 1986). We believe it can provide a comprehensive way to understand information architecture as a discipline, promote critical thinking and improve grounded discussions in the community.
30#
發(fā)表于 2025-3-26 18:01:23 | 只看該作者
,Dutch Uncles, Ducks and Decorated Sheds—Notes on the Intertwingularity of Meaning and Structure in occurring reframing of the mostly-digital sense- and place-making work of information architecture in the normative terms of architecture, where the appropriate interplay of meaning and structural form comprises the basis of what good means.
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