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Titlebook: Refiguring the Archive; Carolyn Hamilton,Verne Harris,Razia Saleh Book 2002 Springer Science+Business Media Dordrecht 2002 Archiv.Transiti

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31#
發(fā)表于 2025-3-26 22:59:52 | 只看該作者
The Human Genome as Archive: Some Illustrations from the South,Humans have pondered their origins for as long as they have existed. This is reflected in the many myths and creation stories. We need only think about the Judaeo-Christian Garden of Eden for an example. Indeed, such stories seem to be a nearly universal feature of human cultures.
32#
發(fā)表于 2025-3-27 04:16:39 | 只看該作者
33#
發(fā)表于 2025-3-27 08:34:20 | 只看該作者
Introduction,ar, be mentioned, represent, be a symbol of, imagine, pattern, calculate, understand, determine, consider — all remultiplied by the word’s hospitality to prefixes. Almost as complex — to assert what this book attempts to demonstrate — is the word ‘a(chǎn)rchive’ (the noun), which plays (is played) as idea
34#
發(fā)表于 2025-3-27 09:46:40 | 只看該作者
35#
發(fā)表于 2025-3-27 16:35:28 | 只看該作者
Archive Fever,th. I won’t tell you how pleased I am, because I am not pleased — I am absolutely paralysed by the situation. I am happy to see so many people, but I thought it would be a seminar with questions and improvisation and so on and so forth. And now after these very generous and lucid accounts, and criti
36#
發(fā)表于 2025-3-27 19:21:46 | 只看該作者
37#
發(fā)表于 2025-3-27 23:12:31 | 只看該作者
A Shaft of Darkness: Derrida in the Archive,odernism or deconstruction or Derridean thinking. Ultimately it is impossible to say . these things are. They are what they are becoming. They open out of the future. We can, at best, mark their movements and engage their energies. So the essay offers a shaft of darkness in all the harsh light of po
38#
發(fā)表于 2025-3-28 05:26:47 | 只看該作者
39#
發(fā)表于 2025-3-28 08:37:57 | 只看該作者
40#
發(fā)表于 2025-3-28 13:10:28 | 只看該作者
The Archival Sliver: A Perspective on the Construction of Social Memory in Archives and the Transitng archivist, experience has been dominated by the drama of South Africa’s transition from apartheid to democracy. This drama has absorbed the complex elements of personal experience, and has transcribed my thinking around the word ‘a(chǎn)rchives’ into an indelible metaphor — ‘the archival sliver’. As pr
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