Titlebook: Reference to Abstract Objects in Discourse; Nicholas Asher Book 1993 Springer Science+Business Media Dordrecht 1993 discourse.language.lin

妨礙

Problems for the Semantics of Nominals,n procedure, will account for much of the semantic behavior of these peculiar nominals. In the last two sections, I return to the difficulties for an account of nominals raised at the beginning of chapter 4.

Wernickes-area

Applying the Theory of Discourse Structure to the Anaphoric Phenomena, the theory. I will work out a variety of examples of abstract entity anaphora and look at two other applications of SDRS theory: event anaphora and anaphoric relations between abstract objects of different types.

Clumsy

Book 1993rse. The book begins with a typology ofabstract objects and related entities like eventualities. After anintroduction to `bottom up, compositional‘ discourse representationtheory (DRT) and to previous work on abstract objects in DRT (notablywork on the semantics of the attitudes), the book turns to

ORBIT

Nicholas Asheron will recur in Pope’s correspondence and public comments, as in the recollection to Joseph Spence in which he ties his beginnings as a poet to his reading of Ogilby’s translation of Homer (“that great edition with pictures”) and Sandys’ translation of Ovid’s ., both seventeenth-century editions fa

garrulous

放牧

Nicholas Ashers and Jacquetta Hawkes with canonical authors—William Shakespeare, William Wordsworth, Jane Austen and Virginia Woolf—and opens a space for exploring the interplay of dominant and variant voices in the fashioning of England..978-3-030-06368-9978-3-319-92126-6

HAUNT

Curmudgeon

Harpoon

Nicholas Ashers and Jacquetta Hawkes with canonical authors—William Shakespeare, William Wordsworth, Jane Austen and Virginia Woolf—and opens a space for exploring the interplay of dominant and variant voices in the fashioning of England..978-3-030-06368-9978-3-319-92126-6

NEX

Nicholas Asher They may remain in the same location and environment in which they functioned originally, or they may be removed from any original context. They may serve a nostalgic, patriotic, educational, or egotistical function. They may be preserved or restored from actual past objects, or they may be reprodu