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Titlebook: Reassessing the Hitchcock Touch; Industry, Collaborat Wieland Schwanebeck Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Hi

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發(fā)表于 2025-3-25 03:54:31 | 只看該作者
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https://doi.org/10.1007/978-3-319-60008-6Hitchcock Studies; Paratext; Plotting; Characterization; Hitchcock Myth
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發(fā)表于 2025-3-25 18:24:16 | 只看該作者
Introducing the Hitchcock Touch, in celebration of Hitchcock’s authorship. From this follows the book’s subsequent structure, which puts equal focus on the films themselves, the paratextual apparatus surrounding Hitchcockian cinema, and the historical and intertextual dimension.
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Book 2017films yet which cannot be limited to the realm of Hitchcockian cinema alone. While the first section of this collection focuses on Hitchcock’s own films and the various people who made important artistic contributions to them, the subsequent chapters draw wider circles. Case studies focusing on the
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Between , and the Making of Images: Hitchcock’s Cinematographerse examines which influences individual cinematographers (including Bernard Knowles in Britain and Robert Burks in the USA) had on the?visual texture of Hitchcock’s films, and he interrogates the complex question of?an authorship?of the cinematic . by asking whose hand really moves the . (A. Astruc).
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