Titlebook: Reading Breath in Literature; Arthur Rose,Stefanie Heine,Peter Garratt Book‘‘‘‘‘‘‘‘ 2019 The Editor(s) (if applicable) and The Author(s),

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Out of Breath: Respiratory Aesthetics from Ruskin to Vernon Lee,rhaps mystifying, action of involvement with works of art, dependent upon physiological, sensorimotor and respiratory movement. Exploring her understanding of empathetic identification, and relating it to current models of enactive cognition, the chapter recovers an entangled art and science of breath in nineteenth-century aesthetic theory.

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Confess

,Combat Breathing in Salman Rushdie’s ,ggage of these breath metaphors leads to forms of catachresis and markedness. The language of breath and breathlessness often conflates their overlapping meanings in health, hygiene and literature. This chapter shows how Rushdie’s work helps to signal these overlapping significances.

嫌惡

Book‘‘‘‘‘‘‘‘ 2019al and cultural environments. Breath, for all its ubiquity in literary texts, has received little attention as a transhistorical literary device. Drawing together scholars of Medieval Romance, Early Modern Drama, Fin de Siècle Aesthetics, American Poetics and the Postcolonial Novel, this book offers

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,The Play of Breath: Chaucer’s Narratives of Feeling, movement of breath plays a key role in Chaucer’s depiction of the experiences of emotion, particularly love and grief, and in his treatment of gender. This physiological emphasis creates narratives of feeling that are deeply embodied. The essay focuses on Chaucer’s romance writing, in particular, ., . and ..