Titlebook: Questions of Influence in Modern French Literature; Thomas Baldwin (Reader in French and Co-Director), Book 2013 Palgrave Macmillan, a div

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Post-Revolutionary Uses of Pascal,is renewed in others. At the dawn of the nineteenth century, counter-revolutionary and neo-Catholic writers acclaim religious and political authority and decry the Enlightenment, whose contribution to the Revolution and effects on social life (as seen from their viewpoint) they denounce. And so the

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,Samuel Beckett’s Funerary Sculpture,s were made by a sculptor known as the ‘Wolfskehlmeister’. In his diary, Beckett describes this fourteenth-century German sculptor as a ‘Master of the senile and [the] collapsed’, as ‘Another man for me’, and writes: ‘Remember: WOLFSKEHLMEISTER’.. In an article published in 2008, James Knowlson sugg

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,‘Périmer d’avance’: Blanchot, Derrida and Influence,nfluence deconstruction might or might not have had on wider narratives of the period, we can interrogate the particular model of influence at work within deconstructive thought. Given the latter’s attention to Heidegger’s notion of overcoming metaphysics — and the general prevalence of vanguardist

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,Figuring Influence: Some Influential Metaphors in Derrida, Valéry and Freud,commissioned and published by Source Perrier, aimed to extol the virtues of the famous mineral water, chronicling the history of the spring itself, its therapeutic benefits and the precise rituals that should accompany its consumption.. Eschewing such commerciality, and without favouring any particu

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,Roland Barthes’s Ghosts: Photobiographical Influence and Legacies, (‘The Photographic Message’, 1961), ‘Rhétorique de l’image’ (Rhetoric of the Image’, 1964) and ‘Le Troisième Sens’ (‘The Third Meaning’, 1970), his approach is largely semiological and sociological.. In .), which opens with a short album of family snapshots, and above all in ., an essay on photogra

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