| 書目名稱 | Postcolonial Literatures in the Local Literary Marketplace | | 副標(biāo)題 | Located Reading | | 編輯 | Jenni Ramone | | 視頻video | http://file.papertrans.cn/753/752168/752168.mp4 | | 概述 | Asks what reading means in India, Nigeria, Cuba, and the UK, through close readings of literary texts from postcolonial, spatial, architectural, cartographic, materialist, trauma, and gender perspecti | | 叢書名稱 | New Comparisons in World Literature | | 圖書封面 |  | | 描述 | .This book asks what reading means in India, Nigeria, the UK, and Cuba, through close readings of literary texts from postcolonial, spatial, architectural, cartographic, materialist, trauma, and gender perspectives. It contextualises these close readings through new interpretations of local literary marketplaces to assert the significance of local, not global meanings. The book offers longer case studies on novels that stage important reading moments: Alejo Carpentier’s .The Lost Steps .(1953), Leonardo Padura’s .Adios, Hemingway .(2001), Tabish Khair’s .Filming?.(2007), Chibundhu Onuzo’s .Welcome to Lagos .(2017), and Zadie Smith’s .Swing Time .(2016). Chapters argue that while India’s literary market was disrupted by Partition, literature offers a means of moving beyond trauma; in post-Revolutionary Cuba, the Special Period led to exploitation of Cuban literary culture, resulting in texts that foreground reading spaces; in Nigeria, the market hosts meeting, negotiation, reflection, and trade, including the writer’s trade; while Black consciousness bookshops and writing in Britain operated to challenge the UK literary market, a project still underway. This book is a vindication of | | 出版日期 | Book 2020 | | 關(guān)鍵詞 | English literature; literature; World Literature; Literary Marketplace; Postcolonial Literature | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-56934-9 | | isbn_softcover | 978-1-349-84916-1 | | isbn_ebook | 978-1-137-56934-9Series ISSN 2634-6095 Series E-ISSN 2634-6109 | | issn_series | 2634-6095 | | copyright | The Editor(s) (if applicable) and The Author(s) 2020 |
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