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Titlebook: Politics and Violence in Cuban and Argentine Theater; Katherine Ford Book 2010 Palgrave Macmillan, a division of Nature America Inc. 2010

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21#
發(fā)表于 2025-3-25 05:25:57 | 只看該作者
22#
發(fā)表于 2025-3-25 10:47:54 | 只看該作者
Katherine Fordategie?n, omgaan met grenzen, emoties en cognities, en afscheid en terugvalpreventie. Tijdens de bijeenkomsten werken cli?nten aan het ontwikkelen en vergroten van hun autonomie: aan?het versterken van hun zelfgevoel, het vergroten van hun verbondenheid met anderen zonder zichzelf ‘kwijt te raken’,
23#
發(fā)表于 2025-3-25 14:11:07 | 只看該作者
Katherine Fordategie?n, omgaan met grenzen, emoties en cognities, en afscheid en terugvalpreventie. Tijdens de bijeenkomsten werken cli?nten aan het ontwikkelen en vergroten van hun autonomie: aan?het versterken van hun zelfgevoel, het vergroten van hun verbondenheid met anderen zonder zichzelf ‘kwijt te raken’,
24#
發(fā)表于 2025-3-25 18:28:48 | 只看該作者
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發(fā)表于 2025-3-25 22:48:54 | 只看該作者
26#
發(fā)表于 2025-3-26 00:30:24 | 只看該作者
,Who’s Afraid of Virgilio Pi?era? Violence and Fear in , (1968), context) and portrays a growing fear and the violence that it provokes. The small, claustrophobic existence that the couple describes is doubled by the political events that surround the writing of ., a context in which the spectacularity is mirrored by Pi?era’s work.
27#
發(fā)表于 2025-3-26 08:18:16 | 只看該作者
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發(fā)表于 2025-3-26 11:43:51 | 只看該作者
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發(fā)表于 2025-3-26 15:05:08 | 只看該作者
Introduction: Difficult Times: Considering Dramatic Violence, through violence. Though each play examined in this book approaches violence in a different way, they all represent it as a way to engage their audiences with the social and political contexts surrounding them and allow us to understand the larger framework of both these two countries and the surrounding historical and social contexts.
30#
發(fā)表于 2025-3-26 17:19:30 | 只看該作者
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