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Titlebook: Politics and Beauty in America; The Liberal Aestheti Timothy J. Lukes Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Aesthe

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發(fā)表于 2025-3-23 10:08:38 | 只看該作者
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發(fā)表于 2025-3-23 14:14:43 | 只看該作者
Introduction: From Rhyme to Reason,ith what is called the “Classic Car Show,” or the “Concours d’Elegance” in the more pretentious neighborhoods. Hotrod enthusiasts traverse sparsely populated corridors of the state, intermittently discharging their trailers at picturesque locations to undertake choreographed formations of glint and
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發(fā)表于 2025-3-23 21:59:21 | 只看該作者
,“Eat Then, Beauty, Said the Monster”,in his novel .. The myth is the initial component of rubric 425, “search for lost husband” (Aarne 1971, pp. 67–8), and its correlates include “The Brown Bull of Ringlewood” from Britain, “The Woman Who Went to Hell” from Ireland, “Das singende, springende L?weneckerchen” from Germany, and “Il Re Por
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Hats Off to Jenny Lind,. The face of “Caucasian” women, from the Caucasus and homeland of the Circassians, has changed due to its continuous exposure to elevating cultural sanctuary. Caucasian women are spared pedestrian concerns and their visage exudes the moral purity that their privilege facilitates. Beauty is neither
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發(fā)表于 2025-3-24 13:28:10 | 只看該作者
John Muir and the Beauty of Poison Oak,e famous because it condemns that for which the young Muir is most remembered: his aspiration to explore wilderness and publish his ensuing impressions. Accompanying the shocking suggestion that he burn his manuscript, the elder Muir suggests an alternative vocation: “You cannot warm the heart of th
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