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Titlebook: On Music, Money and Markets; Comparing the Financ Thomas Baumert,Francisco Cabrillo Book 2023 The Editor(s) (if applicable) and The Author(

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發(fā)表于 2025-3-21 16:04:30 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)On Music, Money and Markets
副標(biāo)題Comparing the Financ
編輯Thomas Baumert,Francisco Cabrillo
視頻videohttp://file.papertrans.cn/702/701037/701037.mp4
概述Discusses the role of music in the history of economic thought.Gives unique insights into the finances of great composers in their historic-economical‘context.Compares the income (and expenditure) of
圖書(shū)封面Titlebook: On Music, Money and Markets; Comparing the Financ Thomas Baumert,Francisco Cabrillo Book 2023 The Editor(s) (if applicable) and The Author(
描述Did you know that Bach invested in mines? That Rossini improved his income by running casinos in the opera houses which on weekends performed his operas? Or that Puccini composed shorter arias to make them fit the length of gramophone disks as they reported him huge revenues? Or who was, in financial terms, the most successful classical composer in history? This book —the first of its kind— studies and compares the finances of twenty classical composers in their historical and economical context. Each chapter details and quantifies the sources of income of these musicians (wages, royalties, subsidies, percentages over the number of performances, arrangements, investments in the musical sector, etc), thus allowing to estimate the income they obtained due to their artistic — primarily compositional, but also related— activities. In addition, it also estimates the composer’s expenditures, thus drawing a relatively complete image of their personal finances. This not only allows to concludeto create a ranking of composers according to their economic success, but —more importantly— for the first time gives an accurate image of the financial situation of a broad set of composers. This all
出版日期Book 2023
關(guān)鍵詞Ludwig van Beethoven; Vincenzo Bellini; Giacomo Meyerbeer; Johann Strauss; Richard Strauss; Johann Sebast
版次1
doihttps://doi.org/10.1007/978-3-031-43226-2
isbn_softcover978-3-031-43228-6
isbn_ebook978-3-031-43226-2
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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,Johann Sebastian Bach and Georg Friedrich H?ndel: The Economics of Late Baroque Market for Music,models, which had a decisive impact?not only on their socio-economic status, but also on the genres they explored and their understanding of musical composition. These models also influenced the amount of social recognition they achieved, both in life and posthumously.
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Vincenzo Bellini and Giacomo Meyerbeer: Shifting Markets (From , to the Grand Opera),ter also studied other sources of wealth, especially those of financial origin, and how Meyerbeer tried to use the claque and the press for his own benefit, that is, to prevent his operas were a failure on the day of their premiere. Finally, the political and economic aspects of Meyerbeer’s Le Prophète (1849) are also discussed.
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Book 2023as? Or that Puccini composed shorter arias to make them fit the length of gramophone disks as they reported him huge revenues? Or who was, in financial terms, the most successful classical composer in history? This book —the first of its kind— studies and compares the finances of twenty classical co
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Wagner and Verdi: , and Modern Business,i was the modern man, who understood how business worked in the opera market. Wagner, however, followed the old tradition of the artists that needed a patron to get a substantial part of their income. In business Wagner was the old artist and Verdi the new?one.
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