Titlebook: Nonlinearities and Synchronization in Musical Acoustics and Music Psychology; Rolf Bader Book 2013 Springer-Verlag Berlin Heidelberg 2013

馬賽克

bifurcate

INERT

https://doi.org/10.1007/978-3-642-36098-5Music Psychology; Musical Acoustics; Nonlinearities; Selforganization; Synchronization; complexity

不透氣

Finite-Element SimulationThe Finite-Element formulation of Musical instruments has the advantage, that the definition of elements is very sophisticated. So we may define elements to be very small or to cover small sections of the geometry which is more difficult in the Finite-Difference formulation when not applying virtual points within the structure.

逗留

游行

相信

死亡

Psychoacousticsal unit most often present in interval order. So e.g. pitch perception is related to frequency, loudness to sound pressure, or brightness to the spectral centroid. We may ask for the logic of this relation, is it necessarily or possibly so, always or sometimes, partial or complete.

阻礙

FUSC

Pitch, Melody, Tonalityterval scale. When relating pitch to frequency, a perceived tone can be associated to a frequency number. Comparing two tones can then be done by comparing the ratios of their frequencies, and we arrive at the well known harmonic relations of the octave (2:1), fifth (3:2), forth (4:3) etc.